Photos from Saturday May 23rd, 2009 performance:
photo: Bob Raymond (MAG)
photo: Bob Raymond (MAG)
photo: Bob Raymond (MAG)
photo: Bob Raymond (MAG)Video from Saturday May 23rd, 2009 performance:
Liz Roncka / Haggai Cohen Milo: Improv. #1 @mobius 5-23-09 from MobiusArtistsGroup on Vimeo.
Photos from Sunday May 24th, 2009 performance:
video still: Jane Wang (MAG)
video still: Jane Wang (MAG)
video still: Jane Wang (MAG)
photo: Bob Raymond (MAG)
photo: Bob Raymond (MAG)
photo: Bob Raymond (MAG)Video from Sunday May 24th, 2009 performance:
Liz Roncka / Haggai Cohen Milo : Improv. #2 @mobius 5-24-09 from MobiusArtistsGroup on Vimeo.
Liz Roncka and Haggai Cohen Milo
"a site-specific improvisational duet of movement and music"
May 23, 24 2009 - movement and live music performance
The piece will be a structured improvisation and will incorporate interactions with the audience, artists and installations in the space. The architecture of the space (physical, sonic, energetic) will also heavily inform the improvisation. Thematically, the question of what it means to be "political" in one's "art-making" will be explored.
Liz Roncka is an avid practitioner of movement improvisation and contemporary dance. Her early training was in the tradition of classical ballet at the School of the New Bedford Ballet. In college, Liz’s focus shifted toward contemporary dance and improvisation. She was a member of the Dance Collective of Boston from 1998-2005.
Liz has had the pleasure of performing modern dance and improvisational work under the direction of: Ramelle Adams, Emily Beattie, Ruth Benson-Levin, Debra Bluth, Alissa Cardone, Sean Curran, Andrew Harwood, Dawn Kramer, Light Motion, and Micki Taylor-Pinney. Her improvisational work has been presented in Boston, NYC, Paris and Budapest. In addition to her own improvisational work, current performance projects include the Falling Flight Project, Moving Sound, The White Box Project and the Moment Quartet.
Liz has a daily blog "The Dance-a-Day Project" wherein she creates and videotapes improvised dances on a daily basis: "The intent of this project is to deepen my practice of improvisation. The commitment to and repetition of this process will inevitably lead to the evolution of my work. I am seeking information regarding patterns and themes in my work; my personal responses to the dances; the viewers' responses; what is my technique/my method; what characteristics define my work; where are the blocks; where is the magic; where is the "truth"?!"
"a site-specific improvisational duet of movement and music"
May 23, 24 2009 - movement and live music performance
The piece will be a structured improvisation and will incorporate interactions with the audience, artists and installations in the space. The architecture of the space (physical, sonic, energetic) will also heavily inform the improvisation. Thematically, the question of what it means to be "political" in one's "art-making" will be explored.
Liz Roncka is an avid practitioner of movement improvisation and contemporary dance. Her early training was in the tradition of classical ballet at the School of the New Bedford Ballet. In college, Liz’s focus shifted toward contemporary dance and improvisation. She was a member of the Dance Collective of Boston from 1998-2005.
Liz has had the pleasure of performing modern dance and improvisational work under the direction of: Ramelle Adams, Emily Beattie, Ruth Benson-Levin, Debra Bluth, Alissa Cardone, Sean Curran, Andrew Harwood, Dawn Kramer, Light Motion, and Micki Taylor-Pinney. Her improvisational work has been presented in Boston, NYC, Paris and Budapest. In addition to her own improvisational work, current performance projects include the Falling Flight Project, Moving Sound, The White Box Project and the Moment Quartet.
Liz has a daily blog "The Dance-a-Day Project" wherein she creates and videotapes improvised dances on a daily basis: "The intent of this project is to deepen my practice of improvisation. The commitment to and repetition of this process will inevitably lead to the evolution of my work. I am seeking information regarding patterns and themes in my work; my personal responses to the dances; the viewers' responses; what is my technique/my method; what characteristics define my work; where are the blocks; where is the magic; where is the "truth"?!"
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