video stills
photo: Bob Raymond (MAG)
photo: Bob Raymond (MAG)John Murphree
"Cultural Juxtaposition"
steel gongs and rack installation
John Murphree - Action for The Politics of Shoes @mobius from MobiusArtistsGroup on Vimeo.
This clip was taken at the Monday May 25, 2009 (Memorial Day Observed in the US in 2009) evening of performances.
Viewers are encouraged to take off their shoes and throw them at the gongs! The act of throwing a (probably) Chinese made American icon (the tennis shoe) at an American made chinese icon is the impetus of this piece.
John Murphree makes his home in Medford with his wife Jeanna Allegrone. He studied composition at the Berklee College of Music, B.M. and recently completed his master's in composition at the Boston Conservatory. Through collaborations with the School of the Museum of Fine Arts, John has begun making bowed sculptures whose purpose is to explore the transfiguration of artistic energy into musical output.
Notes from the Curator:
1. I had heard about John Murphree through Juddertone, as he is one of the artists selected for the 2009 Juddertone ning forum and concerts. He had posted the video below on the Juddertone ning site as an example of one of his previous works so I immediately contacted him about creating an installation for The Politics of Shoes. He said that he wouldn't be able to create a new piece in time for the exhibit (since it was less than 3 weeks away at that point) so I asked him about what completed pieces he had which might fit the theme whereupon he described a rack of gongs that his housemates threw their shoes at when they had a rough day or just for the hell of it. Of course I said perfect! At the last minute, John called me and said he was having second thoughts about bringing his piece because he thought thematically perhaps his piece didn't fit into the show to which I responded with horror - no PLEASE! I have to have your piece in the show. Fortunately John brought his installation to be part of the exhibit and series of performances. It turned out to be one of the performance audience and exhibition favorites.
Find more videos like this on juddertone
2. From the book of comments at the exhibit:
"Love the gongs - very therapeutic!"
"Felt so good to throw shoes at the gong (sounded great too)!"
"Also, the metal panels were fun!"
3. Most of the visitors to the exhibit had to be encouraged to throw their own or Karen Klein's (who had offered up her beautiful sequined high heeled shoes up for sacrifice) at the gongs; once they felt free to do so, without exception, everyone really got into the action and often laughed or looked supremely happy once they had experienced the gongs. Other than visitors who had written their comments in the book, these two visitors' experiences were particularly memorable:
- An elegantly dressed artist with an Australian accent came dashing into the exhibit right before the show was due to come down. She told me that she had driven down from Newburyport (an hour or so north of Boston) to see the exhibit. When I offered her Karen Klein's shoes to throw at the gongs, she really went at the gongs with such relish and ferocity that I wish I had taken a video of her. It was simultaneously wonderful and alarming.
- Maggie Nowinski came to deinstall Burns Maxey's and her video installation (which the same elegant artist above had also enjoyed immensely and was the only person who I had heard laugh out loud while watching the video). Maggie took some time to walk around and view each installation carefully. She looked at the gongs and read the artist's statement and I told her she was welcome to throw her shoes at the gongs. She said that she couldn't throw her sneakers at the gongs because they weren't Made in China and perhaps it would go against the artist's intent. I then had to confess that I had begged John for his rack of gongs and he had kindly come up with his statement as a way of "justifying" the gong's presence in the exhibit and that I knew that John was fine with people hurling shoes of any country of origin at his gongs.
4. The curator takes a moment to play the gongs:
6. Please note that although John Murphree is principally known as a composer, he also makes instruments - he welded the gongs which he sells individually or in sets if you are interested (the Curator bought two of the artist's gongs). You may contact him directly via his website:
www.johnmurphree.com
1. I had heard about John Murphree through Juddertone, as he is one of the artists selected for the 2009 Juddertone ning forum and concerts. He had posted the video below on the Juddertone ning site as an example of one of his previous works so I immediately contacted him about creating an installation for The Politics of Shoes. He said that he wouldn't be able to create a new piece in time for the exhibit (since it was less than 3 weeks away at that point) so I asked him about what completed pieces he had which might fit the theme whereupon he described a rack of gongs that his housemates threw their shoes at when they had a rough day or just for the hell of it. Of course I said perfect! At the last minute, John called me and said he was having second thoughts about bringing his piece because he thought thematically perhaps his piece didn't fit into the show to which I responded with horror - no PLEASE! I have to have your piece in the show. Fortunately John brought his installation to be part of the exhibit and series of performances. It turned out to be one of the performance audience and exhibition favorites.
Find more videos like this on juddertone
2. From the book of comments at the exhibit:
"Love the gongs - very therapeutic!"
"Felt so good to throw shoes at the gong (sounded great too)!"
"Also, the metal panels were fun!"
3. Most of the visitors to the exhibit had to be encouraged to throw their own or Karen Klein's (who had offered up her beautiful sequined high heeled shoes up for sacrifice) at the gongs; once they felt free to do so, without exception, everyone really got into the action and often laughed or looked supremely happy once they had experienced the gongs. Other than visitors who had written their comments in the book, these two visitors' experiences were particularly memorable:
- An elegantly dressed artist with an Australian accent came dashing into the exhibit right before the show was due to come down. She told me that she had driven down from Newburyport (an hour or so north of Boston) to see the exhibit. When I offered her Karen Klein's shoes to throw at the gongs, she really went at the gongs with such relish and ferocity that I wish I had taken a video of her. It was simultaneously wonderful and alarming.
- Maggie Nowinski came to deinstall Burns Maxey's and her video installation (which the same elegant artist above had also enjoyed immensely and was the only person who I had heard laugh out loud while watching the video). Maggie took some time to walk around and view each installation carefully. She looked at the gongs and read the artist's statement and I told her she was welcome to throw her shoes at the gongs. She said that she couldn't throw her sneakers at the gongs because they weren't Made in China and perhaps it would go against the artist's intent. I then had to confess that I had begged John for his rack of gongs and he had kindly come up with his statement as a way of "justifying" the gong's presence in the exhibit and that I knew that John was fine with people hurling shoes of any country of origin at his gongs.
4. The curator takes a moment to play the gongs:
Improvisation using john Murphree's Gongs @mobius from Jane Wang on Vimeo.
5. I had decided that the safest place for the gongs was in front of the handicap ramp leading up to the second level of the gallery space since there were no windows or fragile installation in "firing" range of the gongs. During the performances, one 9 year old girl threw her shoes so wildly that she almost hit one of the windows and another artist managed to throw her shoe directly between two gongs which is much more difficult than hitting one of the gongs. Much deserved kudos to both participants.6. Please note that although John Murphree is principally known as a composer, he also makes instruments - he welded the gongs which he sells individually or in sets if you are interested (the Curator bought two of the artist's gongs). You may contact him directly via his website:
www.johnmurphree.com
