DeAnna Pellecchia & Matt Samolis - "PLATFORM.." May 24 2009

photos: Bob Raymond

DeAnna Pellecchia and Matt Samolis
"PLATFORM - A Live Performance Installation"
May 24, 2009 - dance performance with live music

Videos:

Part 1:


Part 2:


Originally designed for the stage, PLATFORM can be adapted to any performance space and includes a series of movement structures both set and improvisational which take place in , on and around dozens of platform shoes. The solo addresses the socio-political "platforms" of our time. Adorned in red, white and blue DeAnna incorporates strong visual imagery with sharp, disjointed choreography to comment on the personal choices we as Americans make on a daily basis. Matt Samolis accompanies on tenor banjo with a mash up of americana from different genres and styles, adding a layer of association and depth to the imagery set in motion by the visual movement.

DeAnna Pellecchia is a dancer, athlete, aerialist, actress, and choreographer committed to collaborating with artists of different mediums including musicians, filmmakers, and visual artists. She creates performance pieces that seamlessly blur lines of integration between disciplines, ultimately producing multi-sensory works of live art. Her mission as an artist is to expand the perception of ‘dance’ as an accessible form of art by engaging audiences of all kinds. In the process of achieving this goal she has not only danced, but soared, climbed, hurdled, hydroplaned, hovered and flown through countless unconventional landscapes across the United States; she has been featured in rodeos, operas, plays, fashion shows, magazines, movies and music videos; and she has taught and been taught by movers of all kinds. The Boston Herald has described her as “stunning…one of the area’s finest artists”. Bay Windows has defined her as “…muscular, mesmerizing, unforgettable…” As co-choreographer of Kairos Dance Theater, she crafts original performance pieces with Ingrid Schatz. She also creates site-specific performance installations incorporating all-live music with musician Ed Broms under the name Savage Amusements. DeAnna is a principal dancer with internationally acclaimed New York-based Paula Josa-Jones/Performance Works (featured soloist and original cast member of RIDE, PJJ/PW's Equestrian Dance Theater Performance, in which DeAnna dances with live horses). She also dances with Boston-based Kinodance Company (named one of Dance Magazine's "Top 25 to Watch" in 2008). DeAnna resides on dance faculty at Boston University; she is also a mentor-artist-in-residence at The Cloud Foundation.

Links:
www.deannapellecchia.com
PLATFORM photos on FLICKR

Note from the Curator:
Matt Samolis will be profiled in a later post.

Kira Seamon/ Matt Samolis - dance/live music May 24 2009

video still: Jane Wang (MAG)







fd1024 - referred to in email below

photos: Bob Raymond (MAG)

Kira Seamon and Matt Samolis
Untitled
May 24, 2009 - choreographed dance performance with live music

Videos of Kira Seamon's Untitled piece:

Part 1:


Part 2:



A dance/spoken word and sonic exploration of foot-binding as a function of the politics of China, from the Dynasty era to the Communist era, when the practice of the foot-binding was finally prohibited. The dance piece will use highly specialized movements to highlight the nature of the cramped foot position and then grow into a "healthy dancer.”

Excerpts from Wikipedia:

Bound feet became an important differentiating marker between Manchu and Han. The practice continued into the 20th century, when a combination of Chinese and Western missionaries called for reform and a true anti-footbinding movement emerged. Educated Chinese began to realise that this aspect of their culture did not reflect well upon them in the eyes of foreigners, social Darwinists argued that it weakened the nation, for enfeebled women inevitably produced weak sons and feminists attacked it because it caused women to suffer.^[2] At the turn of the 20th century, gentry women, such as Kwan Siew-Wah, a pioneer feminist, advocated for the end of female foot-binding. Kwan herself refused the foot-binding imposed on her since her youth so that she could grow normal feet. Through the centuries there were unsuccessful attempts to stop the practice of footinding. Various emperors issued edicts to this effect but they were never successful. The Empress Dowager Cixi issued such an edict following the Boxer Rebellion to appease the foreigners, but it was rescinded a short time later. In 1911, after the fall of the Qing Dynasty, the new Republic of China government banned foot binding. Women were told to unwrap their feet lest they be killed. Some women's feet grew a half inch to an inch after the unwrapping, though some found the new growth process extremely painful and emotionally and culturally devastating. Societies developed to support the abolition of footbinding, with contractual agreements between families promising their infant son in marriage to an infant daughter that would not have her feet bound. When the Communists took power in 1949, they had the power to maintain the strict prohibition on footbinding, which is still in effect today.

Kira Seamon is an award-winning dancer/choreographer who has produced concerts in the Cambridge area, specializing in unique, original choreography and live music. She was named to Capezio's list of Rising Stars and am also on Dance Magazine's List of Active Female Choreographers. She recently auditioned for a Reality TV show and was sent an email from the producer after the audition, which stated in part: "We are creating a list of all the acts we loved in Boston and you are on that list!" Kira trained across the US and in Europe and has an extensive music background as well. She was a State winner in piano performance and have received gold, silver and bronze awards for my playing. Kira was thrilled to have played the keyboard at the Harvard Theatre Collection as part of a long-term research project by the composer Lugwig Minkus. Kira was born in Hawaii, and is familiar with Asian History and customs.

Email from Kira Seamon about the creation her piece (mentor: Danny Swain):
"I love all the pix, but think my favorite for the blog might be this one, fd1024...I like that it shows me sitting by the pathway created by the shoes, which illustrates walking towards the future....I know Danny Swain liked my idea but kept yelling in rehearsal "Make sure all the shoes are going in the same direction!!"

...The ending was a combination of Danny, Matt and my own ideas.. At first, I just sort of quickly shoved the shoes in 2 lines, thinking I've got to get it done and get up to do the walking through part...Both Matt and Danny realized the moment would be more meaningful and powerful if I slowed that down and looked at the shoes as I placed them, like I was really remembering those women who wore them..Matt even sent me the link to Joanne Rice's awesome stone installation @ Trinity Church, to show what the pace could be like....I thought Joanne did a beautiful job, and I definitely thought of her as I placed my shoes...In fact, I was "so in the moment" of my piece, that at the end, when I walked away toward the windows, it took me a couple of seconds to "come to", as I actually got lost in thought and remembrance...Finally, my brain kicked in and I said, "oh yeah, turn around and take a bow"... "

"Chinese Hair" by Kira Seamon's hairstylist: Blake
photo: Eva Seamon


Notes from the Curator:

1. Matt Samolis will be profiled on a separate Performer of the Day post.

2. Joanne Rice (MAG) has been performing the durational piece "The Human Cost of War" every day at noon since October 2007 at Trinity Church in Boston. The performance will end on Oct 6th, 2009. If you get a chance to see this beautiful performance live, please do so. You may read about Joanne Rice and her performance at http://www.mobius.org

MAG = Mobius Artists Group member

El Putnam - "Status": May 23,24,25 2009

photos: Bob Raymond (MAG)


Photos by David Chin of El's Performance @mobius
http://www.prehensileeye.net/EL_Putnam_Status/page.html

Durational performance over all three evenings (May 23-25, 2009) with resultant installation of
paper, yarn, mixed media.



El Putnam  - The Politics of Shoes @Mobius from MobiusArtistsGroup on Vimeo.


Youtube video of El Putnam tracing shoes including videographer's:



Artist's original proposal and statement:

I will be dressed in business attire and a pair of “Fuck me” heels. I will trace the outline of the shoes of the audience, making note of their occupation, gender, and the type of shoe. Images of shoes are then measured and organized according to size, creating an installation that will last the duration of the exhibit. This will be a durational performance. I will only speak to the audience to ask them questions pertaining to the information I need, as listed above. When not tracing shoes, I will be pacing the installation space, counting my steps, whispering the number and marking it on a legal pad when I have to stop to trace shoes. I will only be allowed to drink water from a specific container (still to be determined) during the duration of the performance.

This work behaves a commentary on the treatment of shoes as a status symbol, determined by a variety of factors involving cultural identity, including class and gender. The reduction of the shoes to an outline while presenting only the information that the shoes are meant to symbolize plays with notion in a literal sense, pointing out that the use-value of a shoe extends beyond the need to protect the feet. My actions are also related to this commentary, with my pacing in intentionally uncomfortable shoes that will harm my feet functioning as a painful reminder of the concepts I present through this work.

BIO
EL Putnam is an interdisciplinary artist who works predominately in photography, video, and performance art, and has a studio located at the Washington Street Arts Center in Somerville, MA. Her work draws from multiple themes and sources, though are all intertwined through notions of personal and cultural circumspection. Currently, she is exploring the potential of subtle radicalism and its contribution to a new feminist aesthetics. At the moment, she is currently working on a doctorate in aesthetics, art theory, and philosophy at the Institute for Doctoral Studies in the Visual Arts. She also teaches at Emerson College in the Visual and Media Arts department.

Video Clip of Final Installation:


El Putnam's Installation - The Politics of Shoes @mobius from MobiusArtistsGroup on Vimeo.

Rosie Banach - "Under Foot" May 23rd, 2009

photos: Bob Raymond (MAG)

"Under Foot"

May 23rd, 2009 durational performance on patio of Mobius, 725 Harrison Avenue, Boston MA

with resultant videos:

1. original 3 hour video of performance and

2. DVD specifically created for exhibit by the artist (sped up and edited version).

If the videos become available online for viewing, the links will be added here.

The artist/performer states:

"In continuation of my current work, I am proposing an installation/performance piece, for presentation at the “Politics of Shoes: Installations and Site-Specific Performances”. I will use the patio pathway and patio outside the gallery as the surface on which the real-time stream of conscious will be recorded. I will use chalk to cover the entire area with writing prior to the opening of the show. The performance will be video taped and made available for viewing. The foot traffic, other performances, and natural forces will then take part in the gradual degradation of the installation."

The videographer was standing slightly over ground level in the corner of the patio next to the front door of the gallery.

Boston-based artist, Rosie Banach’s current work integrates the tactics of graffiti art with the constraints of performance art. Using real-time stream of conscious writing, each performance is unique and creates an inimitable dialogue between the artist, the surface, and the audience. Upon completion, each piece becomes an impermanent installation and is left to the whims of the environment. Wear and tear from traffic and natural forces speak to the fragile nature of communication and self-expression.

Rosie has completed and documented over thirty of these performances. Her work has recently been shown at the Photographic Resource Center in Boston, MA as well as the Gallery at One Washington Center in Dover, NH.

http://www.youtube.com/watch?v=RO-uppN3wc4

http://www.rosiebanach.com/newworkbandw/