Showing posts with label knitting. Show all posts
Showing posts with label knitting. Show all posts

Monday, June 29, 2009

Jane Wang & Karen Aqua
- installations

cameraphone

cameraphone

cameraphone

cameraphone

photo: Bob Raymond (MAG)

Karen Aqua/Jane Wang

"Meditation on The Politics of Shoes
" mixed media

shoes and death
shoe bombs

cancer cells radiation skulls
animation/cartoons cute fuzzy animals?
vicious animals?

violence in Sunday morning cartoons?


shoes flung over telephone wires...

is it about ennui in youth

is it about something as innocuous as getting a new pair of shoes?

is it a neon sign saying“drugs here”?
is it about gangs and territory?

is it about someone died here/a child's sneakers?
could you fry if you touched a live telephone wire?


white for bones, red for bodies which have been skinned alive










photos: Bob Raymond (MAG)

Jane Wang
"Giant Red Ruby Shoe"
electrical wire installation (outside on patio)

"Keep tight inside of them -- their magic must be very powerful, or she wouldn't want them so badly!"
- from the Wizard of Oz film with Judy Garland

Lermontov: When we first met ... you asked me a question to which I gave a stupid answer, you asked me whether I wanted to live and I said "Yes". Actually, Miss Page, I want more, much more. I want to create, to make something big out of something little – to make a great dancer out of you. But first, I must ask you the same question, what do you want from life? To live?

Vicky: To dance.
- from the Michael Powell film “The Red Shoes”

“Dance you shall,” said he, “dance in your red shoes till you are pale and cold, till your skin shrivels up and you are a skeleton! Dance you shall, from door to door, and where proud and wicked children live you shall knock, so that they may hear you and fear you! Dance you shall, dance—!”
- from Hans Christian Anderson's fairy tale “The Red Shoes”

"Something about the power of ruby/red footwear – either to empower or overpower the wearer. It's strange that both although the ruby slippers and the red shoes ostensibly represented these two very different kinds of power, the end result was similar - for wasn't Dorothy flung back (even though through her own will) from a dreamland in lurid color to an arid, Grapes of Wrath type existence in black and white – a kind of living death? And in both cases, one could only remove the red shoes/ruby slippers by dying.

Isn't that kind of weird that so many children's stories turn out to be about death?"



Jane Wang is a member of the Mobius Artists Group. Although she primarily composes music for dance, theater and performance art theater-based work, her principal instruments being double bass, piano and toy pianos, she has recently returned to her on-going love of sculpture and 3-dimensional structures. Inspired in part by the touring exhibition, Radical Lace and Subversive Knitting, and the performance artist Hanne Tierney who she frequently collaborates with, she started working in the medium of wire to create large sculptures.

http://www.myspace.com/janewangcomposer


Friday, June 5, 2009

El Putnam
- "Status": May 23,24,25 2009







photos: Bob Raymond (MAG)


Photos by David Chin of El's Performance @mobius
http://www.prehensileeye.net/EL_Putnam_Status/page.html


Durational performance over all three evenings (May 23-25, 2009) with resultant installation of
paper, yarn, mixed media
.



El Putnam  - The Politics of Shoes @Mobius from MobiusArtistsGroup on Vimeo.


Youtube video of El Putnam tracing shoes including videographer's:



Artist's original proposal and statement:

I will be dressed in business attire and a pair of “Fuck me” heels. I will trace the outline of the shoes of the audience, making note of their occupation, gender, and the type of shoe. Images of shoes are then measured and organized according to size, creating an installation that will last the duration of the exhibit. This will be a durational performance. I will only speak to the audience to ask them questions pertaining to the information I need, as listed above. When not tracing shoes, I will be pacing the installation space, counting my steps, whispering the number and marking it on a legal pad when I have to stop to trace shoes. I will only be allowed to drink water from a specific container (still to be determined) during the duration of the performance.

This work behaves a commentary on the treatment of shoes as a status symbol, determined by a variety of factors involving cultural identity, including class and gender. The reduction of the shoes to an outline while presenting only the information that the shoes are meant to symbolize plays with notion in a literal sense, pointing out that the use-value of a shoe extends beyond the need to protect the feet. My actions are also related to this commentary, with my pacing in intentionally uncomfortable shoes that will harm my feet functioning as a painful reminder of the concepts I present through this work.

BIO
EL Putnam is an interdisciplinary artist who works predominately in photography, video, and performance art, and has a studio located at the Washington Street Arts Center in Somerville, MA. Her work draws from multiple themes and sources, though are all intertwined through notions of personal and cultural circumspection. Currently, she is exploring the potential of subtle radicalism and its contribution to a new feminist aesthetics. At the moment, she is currently working on a doctorate in aesthetics, art theory, and philosophy at the Institute for Doctoral Studies in the Visual Arts. She also teaches at Emerson College in the Visual and Media Arts department.

Video Clip of Final Installation:


El Putnam's Installation - The Politics of Shoes @mobius from MobiusArtistsGroup on Vimeo.