On Saturday February 26th, states around the country show solidarity with their union brothers and sisters in Wisconsin.
In Boston, this shoe "installation" was displayed on the steps of the State House and alludes to the following quote from now President Barack Obama's election campaign speech in South Carolina, 2007:
"And understand this: If American workers are being denied their right to organize and collectively bargain when I’m in the White House, I’ll put on a comfortable pair of shoes myself. I’ll walk on that picket line with you as president of the United States."
Photos from MoveOn Rally in Boston, MA February 26, 2011
Karen Krolak & Jason Ries “a series of dance improvisations using shoes” Mon May 25 - dance performance (Piece #1 and Piece #2)
Videos:
Video of Improvisation #1, Part A:
Video of Improvisation #1, Part B:
Video of Improvisation #2, Part A:
Video of Improvisation #2, Part B:
Using a character by the author, in 1999, named Princess Pamplemousse, Karen plays with how shoes make us move and how they make us feel. As part of the performance she initially planned to record people's shoe stories or encourage the audience to write their stories down. Karen Krolak is choreographer, performer, costume designer, teacher, and writer. Since 2000, she has been the Founder/Artistic Director of Monkeyhouse (www.monkeyhouselovesme.com) , an award winning nonprofit that connects communities to choreography. Through Monkeyhouse, her work has been presented at First Night 2009, the Cool NewYork Dance Festival 2009, Cambridge Multicultural Arts Center, Mobius, and fringe festivals in New York, Minneapolis, San Francisco, Philadelphia, and Winnipeg. She recently traveled to Italy for a workshop and performance and danced in David Parker and the Bang Group’s Nut/cracked, was invited to the Jacob’s Pillow Choreographers’ Lab, and became the Artistic Director for the BoomTown Festival. She is a professional shoe blogger and was quickly dubbed Fitness Footwear Guru for Shoetube.tv (http://shoetube.wordpress.com/). Karen choreographed Coriolanus for Actors’ Shakespeare Project. For the last 13 years, she has been a faculty member at Impulse Dance Center in Natick, MA where she developed the Modern Dance curriculum. In 2005, she co-taught two workshops on movement and technical design at Theater Methods 05 in Malpils, Latvia with her favorite collaborator Jason Ries. http://conversingwithchoreographers.blogspot.com/ http://www.myspace.com/monkeyhouselovesme www.monkeyhouselovesme.com
Notes from the Curator:
1. Due to a last minute variation in the program, I asked Karen Krolak if she would be willing to do two improvisations instead of one (her proposal suggested the possibility of more than one performance). Fortunately, she was willing and able. The start of the program for the Monday May 25 2009 set of performances was:
i. Improvisation #1: Karen Krolak & Jason Ries ii: Moving Sound Meditation on Sam Tan's "63 in '08": Jane Wang iii: Improvisation #2: Karen Krolak & Jason Ries
2. A technical note: Charles Daniels and the curator had to swap out ultraflip video cameras between Parts A and B of Improvisation Piece #2 (hence the jittery camera work and loud sound of a screw turning).
3. The "true" endings of both pieces were almost sabotaged unintentionally. As Karen Krolak and Jason Ries' Improvisation #1 was ending, I started the next piece too early because I had misunderstood my start cue - thus not giving the audience a chance to give Karen and Jason much well-deserved applause. For Improvisation #2, David Chin was trying to wait until both dancers relaxed into "we're finished" body language but since that didn't happen, Jason got up and ran to pick up all the shoes which I actually thought added a nice tag to the ending.
Images are of Adlai Stevenson with a hole in his shoe, Howard Dean's famous scream, and NYC Mayor Michael Bloomberg in dress shoes.
Back story:
Stevenson's picture was taken showing a hole in his shoe, unusual since he was very sharp and well dressed. His team claimed it showed his common-guy pavement pounding approach. Those opposed to him may recall differently: that he lost the election because the photo made him look bad.
Howard Dean had to yell to be heard in a giant noisy room because the audio wasn't working. Journalists used a special mike to drown out the background noise making him sound like a yelling madman. Journalists acknowledged the piece was fake, but said Dean should have expected it, therefore he wasn't presidential, and replayed it endlessly.
Bloomberg is in favor of green projects. He doesn't quite fit in here with his fancy shoes. At a city pool opening he wore a white t-shirt and shorts to go swimming. Here he is in Bermuda shorts - he is criticized for going to his Bermuda mansion and being out of pocket on weekends. He is sometimes thought out of touch. His financial info company was used to create the derivative products that ruined the economy; he is the only top billionaire to get richer last year. He sent his former deputy mayor to be the new co. president and restructure the company as the housing bubble burst, so some think he knew what was going on. Used cosmetics kingpin pal to change city law allowing him to run for a third term, on grounds his expertise is key in handling the financial crisis. Owns giant news conglomerate.
Scott Rummler is a creative artist in New York City. He has shown his art work in a number of alternative spaces and currently is in a show at Gravity Arts in Norwalk, CT. He has an MFA from RIT, and works in other areas including Web design, writing, and acting.
The original proposal from the artist transformed due to time constraints. Here is the progression:
Initial proposal:"These are images painted on newsprint. Multiple copies will be sent to the Curator. General performance specs are to distribute images to audience, or to tear up by performers, or both, or in any way that best suits the performance, in keeping with the general tenor of this message and final discretion to the Curator."
Version #2:"What I have now is photocopy collages. Not high production values, but there is a precedent for that type of thing and the concept is solid. I'll mail in an envelope tomorrow. Might be nice to do something more high fidelity but not enough time, so I hope you can use these."
Further Clarification:"The connection is tabloid journalism: both guys brought down by doctored news media. Keep or leave as you like. I'll send a few more more that highlight that.. but if they are not shoe-ey enough you can leave them out."
David Chin and the Curator weren't sure how to use the xeroxed collages in an audience participatory action. Many people potentially didn't even know who Adlai Stevenson was and would be puzzled by the headlines. For this reason, the Curator decided to use them in the exhibit and scattered them on the floor in a somewhat haphazard manner (and stepped on them for good measure). The artist was fine with the resultant installation of disposable media and presumably disposable politicians.
A side note: when the journalist G. Jeffrey MacDonald came to visit the exhibit, he commented that when he was reporting on Howard Dean before he became a presidential candidate, Dean was seen as a conservative by the press and his constituents, a far cry from his later "liberal" platform. Waffles anyone?
